Related Paintings of unknow artist :. | Portrait of Madame de Genlis | napoleon i sin kroningsdrakt | European city landscape, street landsacpe, construction, frontstore, building and architecture. 158 | Forest landscape with a deer. | Arab or Arabic people and life. Orientalism oil paintings 530 |
Related Artists:
Francis Wheatley
1747-1801 British Francis Wheatley Location Francis Wheatley (1747 - June 28, 1801), was an English portrait and landscape painter, was born at Wild Court, Covent Garden, London. He studied at Shipleys drawing-school and the Royal Academy, and won several prizes from the Society of Arts. He assisted in the decoration of Vauxhall, and aided Mortimer in painting a ceiling for Lord Melbourne at Brocket Hall (Hertfordshire). In youth his life was irregular and dissipated. He eloped to Ireland with the wife of Gresse, a brother artist, and established himself in Dublin as a portrait-painter, executing, among other works, an interior of the Irish House of Commons. His scene from the Gordon Riots of 1780 was engraved by Heath. He painted several subjects for Boydells Shakespeare Gallery, designed illustrations to Bells edition of the poets, and practised to some small extent as an etcher and mezzotint-engraver. It is, however, as a painter, in both oil and water-color, of landscapes and rustic subjects that Wheatley is best remembered. He was elected an associate of the Royal Academy in 1790, and an academician in the following year. His wife, as Mrs Pope after his death, was known as a painter of flowers and portraits.
Johann Ludwig Aberli
Swiss, 1723-1786, Swiss painter, draughtsman and engraver. In 1741 he moved to Berne, where he took drawing lessons with Johann Grimm (1675-1747), whose school of drawing he took over in 1747. He visited the Bernese Oberland with Emanuel Handmann, Christian Georg Schetz (1718-91) and Friedrich Wilhelm Hirt (1721-72) in 1759 and in the same year travelled to Paris with Adrian Zingg (1734-86). This was his only trip abroad, but it determined him to work exclusively as a landscape painter. After nine months he returned to Berne, where his landscape views became popular, particularly with foreign travellers, enamoured of 'Nature' and keen to retain souvenirs of their travels. He was one of the first artists to portray the beauties of the Swiss countryside; his favourite subjects were the Aare Valley and views of Swiss lakes (e.g. View of Erlach on the Lake of Biel; Berne, Kstmus.). He invented a technique known as the 'Aberli style', which consisted of watercolour washes added to an image in which slightly smudged outlines were achieved through a combination of engraving and etching. The prints were made from drawings taken from nature and finished in the studio. His style was characterized by delicate execution, an intimate narrative approach, refined colours and the ability to convey a light and vaporous atmosphere. Aberli's success was such that he had to employ assistants and pupils to aid him in the coloration process; his pupils included Erasmus Ritter, Johann Jakob Biedermann, Marquard Wocher (1760-1830), Gabriel Ludwig Lory the elder (1763-1840) and Peter Birmann. From 1773 to 1775 Aberli also painted a series of costumes in response to tourist demand.
William Heysham Overend
1851-1898